HYPERALLERGIC
"A Painter’s Dissonant Geometry,” October 12, 2019 by John
Yau
HYPERALLERGIC:
"Solid and Perilous" , September 25, 2016 by John Yau
ARTE FUSE:
Gary Petersen’s Contemporary Take on Geometric Abstraction at
McKenzie Fine Art
by Kate Murphy
09/26/2016
KNIGHT FOUNDATION:
"Gary Petersen divides objects from experiences at Tiger Strikes
Asteroid",
by Chip Schwartz
August 12, 2014.
THE ARTBLOG:
Imperfect Geometry - Gary Petersen's zip line tow rope
by Noreen Kress
August 21, 2014
EXHIBITION ESSAY:
"zip line tow rope"
solo exhibition at Tiger Strikes Asteroid gallery, Philadelphia,
PA.
August, 2014.
by Chris Ashley
Oakland, California
HYPERALLERGIC:
"Profaning Geometry, Venerating Uncertainty", Hyperallergic,
by Peter Malone
July 11, 2014.
BLINNK :
"Cool Tectonics on Chrystie Street"
by Janet Goleas
March 24, 2013
"Gary Petersen and Halsey Hathaway"
by Jeff Frederick
Art in America,
Exhibition Reviews, May 2012, no.5, p177.
Sharon Butler: Two Coats of Paint, January 13, 2012
Johnson, Ken, Julie Langsam "From Here To Modernity" and Gary Petersen "Colossal Youth", The New York Times, The Listings, December 2, 2005:section B, p.27.
THE BOSTON GLOBE
Review: Solo show, June 3, 1999
by Cate McQuaid
THE NEW YORK TIMES
Review: Group show, October 25, 1998
by Barry Schwabsky
The James Kalm Report
"Back There Behind The Sun"
McKenzie Fine Art, New York
September, 2016
The James Kalm Report
"Not Now, But Maybe Later"
Theodore: Art, Brooklyn, New York
January 2015
The James Kalm Report
Gary Petersen, Halsey Hathaway, and Rob de Oude at Storefront
Bushwick,
January 2, 2012
January 12, 2012
Abstraction in early 2012: Allen, de Oude, Hathaway, Peterson, Sable, SanÃn
Sharon Butler - Two Coats of Paint
In geometric abstraction, doesn't it seem as though the brushstrokes are either masked and tightly drawn, or loose and drippy these days? At Deborah Brown's new Bushwick gallery, Storefront Bushwick, carefully composed masking and layering dominate the work of Gary Peterson, Halsey Hathaway and, in the back room, Rob de Oude. The three color-loving formalists' paintings have handsome, seductive color, hard edges and slow meticulous processes in common. The paintings are nothing if not beautiful.
Sharon Butler: Two Coats of Paint, January 13, 2012